He is thrown out of his house, his rivals are behind him and a clueless Udhay runs from pillar to post. Eventually he manages to meet Rajan only to know the truth -- a shocking revelation about his identity. And Udhay, who has become a pawn in Rajan's gamble, is on the cross roads.

The rest of the movie deals with how Udhay, motivated by Eswari, teaches Rajan a lesson. In the company of his friends (Haneefa and Santhanam), he embarks on a mission and eventually emerges victorious.

The film is stylish from the word go. Saran has managed to provide an unexpected twist in the second half but fails to make it engrossing. The pre-interval portion is filled with nonsensical sequences. Had Saran provided a few interesting sequences that form the premise for the more serious things to come, the movie would have been engaging.

The second half is much better but lacks the vibrancy needed for a cat and mouse game. As a result, the film ends up as a stylish and spectacular fare that lacks genuine elements to have audiences glued to their seats.

Cinematographer Karun's soft lens sets the tone from the first frame. Due credit should be given to Colonial Cousins (Hariharan and Leslie) for their music. Their tunes strike a chord with the audience, especially the title song. S Ramakrishnan's dialogue are cool and trendy.

Vinay has played his part well. He is casual and his transformation in the second-half is good. The trio of Kalabhavan Mani, Haneefa and Santhanam deliver well.

Saran has tried hard to make an all-out entertainer but he hasn't succeeded as the script goes wayward in the first half and turns unconvincing in the second. A stylish yet dull fare.